Marantz Cinema 50, 60 and 70s Series 2 — everything that changes
Marantz has just updated three of its most established home cinema receivers. The Cinema 50, Cinema 60 and Cinema 70s all move to what Marantz calls Series 2. This isn't a full redesign but rather an evolution; the channel count, amplification power and processing architecture remain unchanged. What Series 2 brings is a targeted evolution on a few specific points, some of which make a real difference depending on the user's needs.
Before digging deeper, a brief look back at this renowned manufacturer. Marantz was founded in 1953 in New York by Saul Marantz, whose original goal was to build a preamplifier that met his own exacting standards, having been unable to find a suitable solution among the options then available on the market. That same obsession with sonic detail is carried on today by a small group of engineers Marantz calls Sound Masters — people whose ears validate every product before it goes to market. No unit leaves the workshop without their approval and without their standards being fully met. It is in this spirit that the Cinema Series 2 receivers were developed, and it is why we can expect a notable difference from their predecessors.
What's new in Series 2
A new DAC
All three models move to a 32-bit, 8-channel digital-to-analog converter from Cirrus Logic, replacing the Texas Instruments chips used in the original versions. What's distinctive about this implementation is how many chips are used depending on the model. The Cinema 70s and Cinema 60, which each handle 7 channels, need only one. The Cinema 50, whose processing covers 11.4 channels, uses two to cover all of its outputs. All three models also inherit a new switchable DAC filter that allows for slight adjustment of high-frequency behavior according to listening preference.
Dirac Live comes to the Cinema 60 and Cinema 70s
This is the most structural change in the update. At the original launch, Dirac Live was exclusive to the Cinema 50. With Series 2, Marantz opens this option up to the Cinema 60 and Cinema 70s. It's worth being precise about what each model gets, however: the Cinema 50 retains access to the full trio (Room Correction, Bass Control, Active Room Treatment), while the Cinema 60 and Cinema 70s are limited to Room Correction only.
Other new features
- On-screen channel level monitoring: the Cinema 50 and Cinema 60 display each speaker's level in real time during setup, directly on your television or projector.
- Redesigned web control interface: also available as a firmware update for owners of the first generation.
- AMD FreeSync extended to 1440p: in addition to 4K, 1440p is now covered, which directly benefits gamers who favor this resolution for higher frame rates.
- Dolby Atmos Channel Expander: exclusive to the Cinema 50 (more details later in this article).
- Center Bi-Amp Mode: exclusive to the Cinema 50 — dedicated amplification for the center channel using otherwise unused amplifier channels.
- Bass Sync: exclusive to the Cinema 50 — time-alignment between subwoofers and main speakers.
Comparison table
| Cinema 70s Series 2 | Cinema 60 Series 2 | Cinema 50 Series 2 | |
|---|---|---|---|
| Amplifier channels | 7 | 7 | 9 |
| Power per channel | 50 W / 8 Ω — 70 W / 6 Ω | 100 W / 8 Ω (full band 20 Hz–20 kHz) | 110 W / 8 Ω (full band 20 Hz–20 kHz) |
| Processing channels | 7.1 | 7.1 | 11.4 |
| DAC | 32-bit, 8-channel (Cirrus Logic) | 32-bit, 8-channel (Cirrus Logic) | 32-bit, dual 8-channel (Cirrus Logic) |
| Room correction | Audyssey MultEQ XT | Audyssey MultEQ XT | Audyssey MultEQ XT32 + LFC |
| Dirac Live | Room Correction (new, paid option) | Room Correction (new, paid option) | Room Correction + Bass Control + Active Room Treatment (paid option) |
| Subwoofer outputs | 2 | 2 | 4 |
| HDMI inputs | 6 (3 of 6 support 8K/60, 4K/120) | 6 (3 of 6 support 8K/60, 4K/120) | 6 (all support 8K/60, 4K/120) |
| HDMI outputs | 1 (eARC) | 2 | 3 |
| Exclusive formats | — | — | Auro 3D, IMAX Enhanced, 360 Reality Audio, MPEG-H, Dolby Atmos Channel Expander |
| Bi-amplification | Assignable | Front left/right | Front left/right + center channel |
| Format | Slimline (10.9 cm tall) | Standard | Standard |
| Price CAD | $1,700 | $2,500 | $4,000 |
Common foundations across the range
The Sound Masters
Marantz maintains a rigorous in-house program in which a small group of engineers trained in critical listening validates every product before it leaves the workshop. Among those who have held the title is the legendary Ken Ishiwata. The current Sound Master is Yoshinori Ogata. This validation step isn't a marketing exercise — it's an integral part of the development process. All three Series 2 models went through it.
Amplification architecture
The Cinema 50 and 60 use a current feedback amplification topology, a choice that translates into faster settling times and wider bandwidth. The amplifier stages are fully discrete across the range, with no integrated amplifier ICs in the signal path. Marantz's HDAM-SA2 (Hyper Dynamic Amplifier Modules) replace generic op-amps to preserve speed and tonal richness.
On the Cinema 50 and Cinema 60, Marantz guarantees at least 70% of rated power on all channels with five channels driven simultaneously. Most manufacturers publish their power specifications with only two channels active — a considerably less demanding load on the power supply. Publishing a guaranteed floor under real multi-channel conditions is an unusual degree of transparency in this category. All three models also include a Pure Direct mode for the most direct possible stereo signal path, and MDAX2 enhancement for compressed sources.
Audio formats
Beyond Dolby Atmos and DTS:X, all three models decode the full Dolby and DTS spectrum: TrueHD, Atmos Music, DTS-HD Master Audio, Neural:X and Virtual:X. A height-channel simulation mode is available for those without ceiling speakers or upward-firing modules.
Gaming features
All three models are compatible with ALLM, VRR and Quick Frame Transport to minimize latency. AMD FreeSync support now covers both 4K and 1440p — a relevant extension for PC gamers who choose 1440p to reach higher frame rates without a top-tier graphics card.
Network, streaming and connectivity
All three connect via Wi-Fi, Bluetooth or wired Ethernet, and manage independent zones through HEOS. Streaming coverage includes the main services: Spotify Connect, TIDAL Connect, Qobuz Connect, Amazon Music HD, Deezer, iHeartRadio, AirPlay 2, TuneIn and Roon Ready. Gapless playback is supported, along with FLAC and WAV files up to 192 kHz/24-bit, ALAC at the same resolution, and DSD up to 5.6 MHz. A built-in AM/FM tuner and a USB-A input round out connectivity. All three models allow Bluetooth transmission to a wireless headphone with independent volume control.
Design and installation
The Cinema 50 and 60 retain the aesthetic established by the Cinema range: the circular OLED porthole on the front, the carbon-fiber side panels and the symmetrical layout. The Cinema 70s adopts a slimline chassis at 10.9 cm tall — an option for installations where cabinet depth or rack height is a constraint. The only visual differences from the originals are the Series 2 emblem and new copper screws on the panels. The setup assistant guides the entire hookup process on-screen, from connecting each speaker to verification via test tones. All three models are covered by Marantz's five-year parts-and-labor warranty.
Cinema 70s Series 2
The Cinema 70s is the slimline model in the range, with a chassis just 10.9 cm tall and weighing 8.7 kg. Seven discrete Class A/B channels deliver 50 W per channel into 8 Ω and 70 W into 6 Ω, with assignable bi-amplification. It's the natural option for installations where cabinet or rack depth is limited, or for mid-sized rooms where a well-calibrated 5.1.2 or 7.1 setup covers every need.
With Series 2, the Cinema 70s gains the same 32-bit Cirrus Logic DAC as the higher models, plus access to Dirac Live Room Correction for the first time. Six HDMI inputs are available, three of which (HDMI 4–6) support 8K/60 Hz and 4K/120 Hz with VRR, ALLM and AMD FreeSync. A single HDMI eARC output serves as the main connection.
- 7-channel Class A/B amplification: 50 W/ch into 8 Ω, 70 W into 6 Ω, assignable bi-amplification
- 7.1-channel processing: Dolby Atmos with Height Virtualization, DTS:X with Virtual:X, TrueHD, DTS-HD Master Audio
- New 32-bit Cirrus Logic DAC: same chip as on the Cinema 60, with switchable filter
- Audyssey MultEQ XT + Dirac Live Room Correction (new): Audyssey included with microphone; Dirac Live available as a paid option
- 6 HDMI inputs / 1 HDMI eARC output: including 3 inputs supporting 8K/60 Hz and 4K/120 Hz
- Slimline chassis: 44.2 × 38.4 × 10.9 cm — sized for compact racks
$1,700 CAD
View productCinema 60 Series 2
The Cinema 60 is a 7-channel amplifier rated at 100 W per channel, measured across the full 20 Hz–20 kHz band at 0.08% distortion with two channels driven. Processing covers 7.1 channels, with full preamp outputs for optionally adding external power amplifiers. With Series 2 it gains Dirac Live Room Correction for the first time, which shifts its positioning noticeably: if Dirac Live was previously the main reason to choose the Cinema 50 over the 60, that argument disappears.
Six HDMI inputs are available, three of which support 8K/60 Hz and 4K/120 Hz; the two HDMI outputs run in parallel so a television and a projector can be connected at the same time without swapping cables. The two subwoofer outputs also run in parallel. The HDAM-SA2 modules and current-feedback topology are present as they are on the Cinema 50.
- 7-channel Class A/B amplification, 100 W/ch: measured full-band 20 Hz–20 kHz, HDAM-SA2
- 7.1-channel processing: Dolby Atmos, DTS:X, TrueHD, DTS-HD Master Audio, Neural:X, Virtual:X
- New 32-bit Cirrus Logic DAC: with switchable filter to adjust high-frequency response
- Audyssey MultEQ XT + Dirac Live Room Correction (new): two levels of room correction; Bass Control and Active Room Treatment not included
- 6 HDMI inputs / 2 parallel HDMI outputs: TV and projector connected permanently
- 2 subwoofer outputs (parallel): without independent level management between the two
$2,500 CAD
View productCinema 50 Series 2
The Cinema 50 is the model Marantz focused on the most. It's a 9-channel amplifier rated at 110 W per channel using the same full-band measurement standard. Dynamics are perceptibly wider than on the 60, thanks to a higher-capacity power supply. Processing extends to 11.4 channels, with preamp outputs across all channels, five analog inputs and four independent subwoofer outputs.
Those four outputs stand out for their directional-management option: in standard mode, the same low-frequency signal is sent to all four subs. In directional mode, the signal from each main speaker is routed to the geographically nearest sub. This approach, usually reserved for significantly more expensive processors, improves localization and bass coherence in multi-sub installations. Bass Sync, also exclusive to the Cinema 50, ensures time alignment between subs and main speakers.
On the HDMI side, all six inputs support 8K/60 Hz and 4K/120 Hz without exception. The three HDMI outputs include two parallel outputs for TV and projector, plus a dedicated Zone 2 output for streaming an independent source to another room. Auro 3D, IMAX Enhanced, 360 Reality Audio and MPEG-H formats are exclusive to this model. Room correction steps up with Audyssey MultEQ XT32 and the LFC (Low Frequency Containment) feature, which limits sound transmission to neighboring rooms. Dirac Live is available as a paid upgrade and covers the full trio: Room Correction, Bass Control and Active Room Treatment. The finish reflects the model's positioning: gold-plated RCA jacks and eleven speaker terminals, a solid-metal front panel, and a clock jitter reducer.
- 9-channel Class A/B amplification, 110 W/ch: high-capacity power supply, HDAM-SA2, 150 W into 6 Ω
- 11.4-channel processing: Auro 3D, IMAX Enhanced, 360 Reality Audio, MPEG-H, Dolby Atmos, DTS:X
- 4 independent subwoofer outputs: standard or directional mode for multi-sub installations
- Audyssey MultEQ XT32 + LFC: plus full Dirac Live available as an option (Room Correction, Bass Control, Active Room Treatment)
- Dolby Atmos Channel Expander (exclusive): redistributes channel-based Atmos content across the full height array
- Center Bi-Amp Mode (exclusive): dedicated amplification for the center channel in addition to front bi-amping
- 3 HDMI outputs: two parallel + dedicated Zone 2 for a second room
- Finish: gold-plated terminals and RCA jacks, solid-metal front panel, clock jitter reducer
$4,000 CAD
View productThe Dolby Atmos Channel Expander — what is it for?
This feature, exclusive to the Cinema 50, deserves an explanation. A significant portion of available Atmos content — particularly sports broadcasts and cable feeds — is encoded in channel-based mode rather than as audio objects. Without the Channel Expander, the height information from this kind of content can end up concentrated at a single height position while the other height speakers stay inactive. The Channel Expander redistributes this signal across the full installed height array. This feature is reserved for nine-channel-and-up receivers because it requires a sufficient number of height positions physically present in the room to have a perceptible effect.
Is it worth upgrading to Series 2?
If you already own an original Cinema 50, 60 or 70s and you're happy with it, there's no rush. The amplifier section, channel count and processing architecture are unchanged: you lose no capability by keeping the unit you have. The redesigned web control interface is, in fact, available as a firmware update for the first generation.
Series 2 makes the most sense for buyers entering the range now who want the most refined version of the platform, or for those for whom the new DAC represents a concrete difference. The Cinema 60 is the model where the impact is most structural: if Dirac Live was previously the main reason to consider the Cinema 50 over the 60, that reason no longer exists with Series 2. And all three models are offered at the same price as their predecessors.
Frequently asked questions
What actually changes with Series 2?
All three models receive a new 32-bit Cirrus Logic DAC and access to Dirac Live Room Correction — a first for the Cinema 60 and Cinema 70s. The Cinema 50 and 60 also gain a redesigned web control interface and on-screen channel level monitoring, along with AMD FreeSync support extended to 1440p. The Cinema 50 adds two exclusive features: Dolby Atmos Channel Expander and Center Bi-Amp Mode. The channel count, amplification power and processing architecture remain identical to the original versions across all three models.
Is the Dirac Live on the Cinema 60 and Cinema 70s the same as on the Cinema 50?
No. The Cinema 60 and Cinema 70s give access to Room Correction only. The Cinema 50 supports the full trio: Room Correction, Bass Control and Active Room Treatment. In all three cases, Dirac Live is an optional paid upgrade, not included as standard. Audyssey MultEQ XT is built in as standard on the Cinema 60 and Cinema 70s; the Cinema 50 comes with Audyssey MultEQ XT32 — the higher version — along with the LFC feature for low-frequency containment.
Is it worth upgrading to Series 2 if I already own the original model?
Not necessarily. The amplifier section, processing and channel count are identical to the originals. If your setup satisfies you, there's no missing capability to reclaim. Upgrading is most justified for buyers entering the range now, or for those who specifically wanted Dirac Live on the Cinema 60 or Cinema 70s and had until now been forced to move up to the Cinema 50 to get it. The redesigned web control interface is available as a firmware update for the first generation, without replacing the unit.
What's the difference between the Cinema 70s and the Cinema 60?
Both models offer 7 processing channels and the same new Cirrus Logic DAC. The main difference comes down to power (50 W per channel on the 70s vs. 100 W on the 60), format (slimline for the 70s vs. standard for the 60), number of HDMI outputs (one on the 70s, two in parallel on the 60), and overall finish. The Cinema 60 is the natural choice for a medium-to-large room where dynamics matter; the Cinema 70s suits more modest rooms or installations where rack constraints are decisive.
Discover the Marantz Cinema Series 2 receivers at Fillion Électronique, available online and on demo at our Montreal store.
See all our receiver models
